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Don’t overlook local news

We know the popularity of linear TV (ie what’s broadcast on a channel) is in a sharp decline – but I was interested to see how the BBC’s 6.30pm regional news programme was the most watched TV show for three consecutive days last week.

@LiamHamilton16 'Three in a row' fj'....Every day this week so far BBC regional news at 6.30 has been the most watched programme on tv with 3.8m viewers on Monday, 4m on Tuesday & 3.8m again last night. Biggest non-news audience, either Corrie or Emmerdale on ITV1 with a consistent 2.8m 11:14 • 29/01/2026 •

Thanks, as ever, to TV journalist Liam Hamilton for sharing these insights! Follow him on Twitter/X here.

This isn’t the first time it’s happened recently – Liam reported that BBC1’s biggest TV audience on Christmas Eve was for…the regional news bulletin!

Strange but true….biggest audience on BBC1 on Christmas Eve was for a 10 minute regional news bulletin which attracted a little under 2million viewers at 5.20pm, just pipping Eastenders, 1.9m, & Paddington, 1.8m for bragging rights as the channels biggest audience of the day. 9:58 PM · Dec 25, 2025

And it happened again a couple of weeks earlier, too:

Ex-News, no programme on BBC1 attracted more than 2m viewers on Tuesday while the most watched programme across all channels was a repeat of The Chase on ITV with 2.6m. Including news programming, the regional news at 6.30 on BBC1 was biggest audience of the day, 3.5m. Good day also for news programming early morning on the big two channels with BBC Breakfast (44%, 1.2m) & Good Morning Britain on ITV1 (23%, 600k) securing over two thirds of all viewing between them in the day part. Not seen higher in a very long time. 👏

This is not to paint a rosy picture of news bulletins on linear TV – it is facing the same struggles as the rest of the broadcast output.

Recently, STV chief executive Rufus Radcliffe revealed that its flagship STV News at Six, the most watched regional news programme in Scotland, is “down over 20% year on year and is projected to reduce by over 40% by 2030.”

But there are signs that local news matters more than ever to people – but there are now so many more ways for us to keep up with it in a way we want, and when we want.

A rocky time for long-standing regional newsbrands

The number of us reading local news from commercial publishers has grown by 7% year-on-year, according to the latest Ipsos Iris figures shared by Behind Local News, up to 35.6 million.

It says that means 67% of the UK population is reading local news every month, though that figure drops for younger readers, with 38% of 18-24 year olds and 54% of 25-34s.

But page views are falling very significantly. Hold The Front Page reported that December’s stats “showed an overall year-on-year decline in page views of 27%, although the overall audience for the sector fell by just 0.46%.”

Table showing top regional newsbrands by overall audience (unique users) in Dec 2025

These tables are from Hold The Front Page – you can see the rankings in their entirety on its website.

Table showing top regional newsbrands by page views in Dec 2025

This is coupled with the continuing decline of print, with Press Gazette reporting last September that “regional daily newspaper sales fell by an average of 18% in the first half of 2025 with just one title (the Belfast-based Irish News) above 20,000 copies per day.”

This makes sense why Reach continues to expand its ‘premium subscriptions’ for its regional titles online, with the latest being the Daily Record and Leicestershire Live.

But the latest stats I can find (from last September) appear to show that it’s hard for previously paper-focused brands to match their print subs, with the Irish News topping the table with only 3,450.

Local newsletters are thriving

London Centric homepage on Substack

London Centric’s homepage on Substack could look pretty much like any news site on a desktop browser

Spotting big gaps in the market for original, distinctive and engaging local news, start-ups like The Mill and London Centric, which use slick-looking but easy to manage newsletter platforms like Substack and Ghost, have proven to be very successful – and continue to do so.

London Centric now has nearly 35,000 subscribers – with over 10% being paid, according to a Journalism UK interview with founder Jim Waterson in November. If you remember that the Irish News’ digital subs were at 3,450 at the latest official recording, that’s seriously impressive for a publication set up 18 months ago.

“I have to fight for every reader and bring people in, but once you’ve got them on that newsletter, people say they trust me”, Jim says.

It’s not just his focus on very sharable scoops and human stories, but how he writes them: “Journalism can be very pious and I believe in it so much, but you’ve got to have a bit of joy”.

Newsletters allow you to geek out with your niches too, such as former Reach journo Will Hayward’s on Welsh politics, with nearly 10,000 subscribers (I even have one about milestone anniversaries of memorable moments in wrestling history, which is a lot less successful!)

 

 

Nextdoor isn’t all about online arguments

There are now said to be 10 million people on Nextdoor – around one in four adults – but given that figure was from September 2024, that’s likely to have risen.

Yes, it can resemble your road’s WhatsApp chat at time with complaints, rows and the odd bad joke, but it is also a great way to share and gather local news. There are over 80,000 local groups based on fostering a sense of community and togetherness, or to discuss your passionate interests – and public bodies from No10 to councils and environment agencies see it as an effective communication tool.

Last year, it launched partnerships with local publications including the Kent Messenger and Grantham Journal and invited others to join – but we haven’t heard much, if anything, since about other titles (but I can see that my local news site is now on my ‘local news’ feed, which closely resembles a cross between Facebook and Nextdoor.)

Nextdoor local news publisher

What’s up with WhatsApp?

After the initial surge of excitement about the new shiny thing (*cough*, yep) was replaced by annoyance, with a constant bombardment of lazy link posts, a lot of publishers and readers have gone off WhatsApp Channels.

It seems from a quick scan that no regional paper has broken past 150,000 followers (and who knows how many are still active on those channels and reading those messages, let alone tapping through…)

But where there was failure is now hope. Rather than following the old style of news publisher route, local outlets appear to be enjoying more success through diversifying into smaller niche interest channels.

Take the Liverpool Echo, owned by Reach. Their bespoke channels on Liverpool FC (which includes Liverpool.com) are far more popular than the main account.

Liverpool FC WhatsApp channels

Again, it seems to make sense to me as a reader as I tend to want news that I know I will care about – think about when someone posts something in the group chat about a story or issue you have no interest in; are you going to bother to tap through, or zoom in, to read, let alone watch?

(Yes, my friends have told me when they don’t care about me constantly sending irrelevant tweets or TikToks…)

The enduring popularity of Facebook Groups

Tldr: it’s an oldie but a goodie.

Just take public sector comms consultant Dan Slee’s research from last July, entitled ‘The continued rise of Facebook groups in 2025’. He gives an example of Braintree in Essex, which has around 155,000 residents:

The number of Facebook groups in Braintree, Essex is increasing again

There are almost 600 Facebook groups of nearly every kind of niche and interest for those who live there. Dan says, “If you are a nerd about this, all this means that are roughly 5.5 Facebook group memberships per head of population.”

bar chart show increasing rise in Facebook group membership in Braintee, Essex after peaking during the pandemic

Social is a popular source of local news

Ofcom research last summer appeared to show that Facebook groups and other social media are still major source of local news and information.

The top individual services of local news and information in 2025 are the BBC website or app (37%),regional news bulletins on BBC One (35%) and local groups or accounts on social media (34%). Ofcom, 2025

Ofcom’s News Consumption in the UK 2025

This is where the incredible world of independent content creators has developed – similar to the newsletter guys, they have exploded in popularity by focusing on specific themes or issues and match it with very simple, powerful, and engaging storytelling and building powerful communities of loyal audiences.

One of my favourites at this is Zoë Bread, who brilliantly detailed her battle with Manchester City Council over a confusing parking ticket machine sign – a fantastic piece of investigative reporting. Her Instagram has been taken down for some reason, but she is still on TikTok.

However, those surveyed by Ofcom admitted they generally don’t see social media as reliable or as trustworthy as other forms of communication. But interestingly, they are more likely to believe posts on  neighbourhood apps like Nextdoor:

Perceptions of trustworthiness of local news and information by service, Ofcom survey 2025. Trust and accuracy are also considered important attributes for local news on traditional platforms such as TV, radio and print newspapers by nine in ten users. These traditional services are all generally seen as trustworthy and accurate by 80-90% of users. Local news on social media or video sharing apps are rated less highly, with 60-70% of users seeing them as trustworthy and accurate. Word of mouth, while a key avenue for people hearing about local news and information, is perceived as the least trustworthy method of getting local news and information.

The final fascinating point from this Ofcom report is that adults in Scotland are more likely to use social media for news compared to the UK (57% to 51%). But adults in Northern Ireland are much less likely (46%).

What about YouTube and podcasts?

A lot has been written about the rise in popularity in podcasts, both in visualised and audio form, and how YouTube is by far the biggest streaming service in our TVs and also in terms of digital and social platforms.

But a great example of how local news organisations are adapting to these changes is a documentary by ITV Central called Decoy, which reunited the brave female undercover officers who trapped one of Britain’s most-wanted men in 1979 – and whose footage was instrumental in the killer’s re-arrest in 2022.

ITVX listing for Decoy

I had the pleasure of watching this for the RTS news awards in 2023 and not only was I captivated by the story, but admired the thinking behind its approach to production.

It was created for YouTube and what was then the ITV Hub, but it was later broadcast on their flagship evening bulletin, but broken down into five chapters, and shown each day over a week. It was also initially designed to work as a podcast too.

The number of people who viewed it at 6pm was dwarfed by the huge numbers who streamed it.

Rather than just attempting to get viewers to watch just a wide range of TV packages online, ITV Central were focusing here on the popular longform topic of crime, but combining it with strong, distinctive and human-centred storytelling.

It’s a similar approach that both the BBC and commercial radio has followed. Global and Bauer have led the way with their podcasts and video offerings, even as commercial radio continues to enjoy an incredible record number of listeners to its stations (I have suggested why those in comms should be harnessing the power of commercial radio here.)

What does this all mean?

Is it due to the crazy, confusing and increasingly frightening world we live in, which is then reflected in the national news agenda, that pushes us more to what is going on closer to home?

Or our preference to indulge in our passions with like-minded people and the platforms that allow us to it from our phones?

Or the ability to watch information and entertainment when and where we want to? Or that appointment to view TV now only matters when it brings audiences together for big cultural moments?

Or all of them?

I think it depends on your demographic – but what is true is that the media landscape is more fragmented, niche-based, and changing quicker than ever before.

It does mean there are fantastic opportunities for communicators to spread tailored and focused messages to target local audiences, and for agile digital-first start-ups to tap into gaps in the market and provide trusted and accurate regional reporting of potentially underreported issues.

But this also means a challenging time for publishers with historic media legacies – and some are adapting and equipping themselves better than others.

 

Sharing is caring: Focusing on making sharable social content

Recent posts by Twitter/X owner Elon Musk and the head of Instagram Adam Mosseri have revealed a shift in what is important when we’re thinking about our next post: make your content sharable.

Instead of “posting and hoping”, or just “broadcasting” by telling users about an announcement or story, we need to place far greater emphasis on triggering an emotional reaction, or making it feel practical, new or relevant to that audience.

As you’ve probably seen, be it with ‘for you’ tabs on Twitter/X, pages on TikTok, or mixed up in your feed on Instagram and Facebook, all social platforms are moving towards more algorithmically-driven approaches as a way to try to increase the amount of time you spend and engage on that app.

That’s partly because we have generally stopped being so public in our reposts and commenting, preferring to share posts privately on direct messages or messing apps like WhatsApp.

Both Musk and Mosseri have publicly emphasised how important sending a post can be as a signal to the mysterious algorithm, to boost its visibility and increase its reach.

Twitter/X on what the algorithm sees when you share posts

Elon explained it in his trademark way – partly in response to the backlash over the type of content appearing in users’ for you tabs:

Elon Musk tweet on sharing/sending tweets: The X algorithm assumes that if you interact with content, you want to see more of that content. One of the strongest signals is if you forward X posts to friends, it assumes you like that content a lot, because it takes effort to forward. Unfortunately, if the actual reason you forwarded the content to friends was because you were outraged by it, we are currently not smart enough to realize that.

Read: Should my company stay on Twitter/X – or leave?

Instagram explains why you should focus on sendable and sharable content

And this is how Adam Mosseri explained the importance of “thinking about creating something that people would want to send to a friend”:

 

View this post on Instagram

 

A post shared by Adam Mosseri (@mosseri)

Read: What young people think of as ‘news’ on Instagram

How to make your social posts and content more sharable

So rather than focus on telling followers and viewers something, focus on making them feel something: for example, happy, sad/empathetic, angry (though I would be careful to not overuse this), entertained, informed or something that helps them in their lives.

You may see this as just an extension of the old adage of “don’t make boring content” – which is true! But on social, as in the rest of the media environment, where there is so much more content than ever before, and the competition for people’s attention is greater than ever, it’s important to really think carefully how it would appeal to your target audience – beyond those that already follow you.

 

 

How to stop Facebook and Instagram using your posts for AI

Meta are allowing Facebook and Instagram users to opt out of their posts and content being used for generative AI training. For content creators it’s their own hard work, for individuals it may be their private photos, but you can see why you’d want to stop them being able to do so.

It’s not the easiest process it could be, but it is pretty straightforward for those based in the UK and EU – and you need to act before 26 June. I explain how below.

How to opt out of Facebook and Instagram using your posts for AI

You may have received an email like the one below, or a notification in your app, for your Facebook or Instagram accounts.

You can tap or click on ‘right to object’ to start the process to stop them using your content for AI training.

If you haven’t received this email and want to try to appeal against it, try this link.

I have found that for one account, I’ve not received any notification, by app or email, and when I tried going directly to the appeals page, I wasn’t allowed to access it.

How to stop Facebook and Instagram using your content for IA training: appeal page won't load

How to explain why you want to stop Meta using your posts Facebook for AI

You should see a page called ‘Object to your information being used for AI at Meta’.

How to opt out of Facebook and Instagram using your posts for AI training: Meta objection page

Select your country and enter the email associated with your account – you have to repeat this process for each individual account, unfortunately.
The section ‘please tell us how this processing impacts you’ may feel overwhelming, but I’ve tested different approaches with my personal and professional accounts.
I found that both these worked for me:

I am a content creator and put a great deal of original research and time and effort into my work and retain copyright for this. I object for it being used without payment.

These are my personal photos and information behind a private account that I do not want to be used publicly.

Although Meta warns, “We’ll review objection requests in accordance with relevant data protection laws. If your request is honored, it will be applied going forward”, I’ve not had a request turned down for the UK.

But that’s not it: Meta will send a code to your email associated with your account to complete the process – this comes through quickly, though.

 

 

How do I know if Meta won’t use my Facebook and Instagram photos and posts for its AI training?

The good news, you don’t have to wait for long. In all the times I used it, confirmation that my request had been approved came through within 20 minutes.

How to stop Facebook and Instagram using your posts for AI training: Meta email approving my request

How can I stop Meta using my data for AI training if I don’t live in the UK or EU?

PCWorld has reported on a potential solution: a Meta help center page where you can submit a request to access, delete, or file a complaint about personal information “from third parties being used to develop and improve AI at Meta”: https://www.facebook.com/help/contact/510058597920541

How to stop Facebook and Instagram from seeing data shared by sites about your online activity 

But you may want to go further while you’re at it, and stop specific sites from sharing data with Meta about your online activity.
Mashable highlighted this page called ‘Off Facebook activity’ , where you can choose to disconnect specific sites that share data with Meta, clear previous activity, and manage future data sharing.
Off Facebook activity page to stop sites sharing information about you with Meta
It’s not clear how much this would stop this data being used for AI training, but Meta does state that “information shared on Meta’s Products and services” could be used.

 

Users are getting more protective about how their data is used

With generative AI needing ever more content to feed its development, and a rise in more privacy-aware users, I think we will see an increase in people becoming more selective about how they share their personal data, and especially their content.
It is good that Meta is being clear about giving users an opt-out to have their posts not used for gen AI training, as many sites may have not made their users aware before. But I’m not sure what the opt outs are for business pages.

 

 

Calls to pivot to video (again) – but why it may not be right for you

‘Pivot to video’ is a familiar phrase over recent years, as much mocked as celebrated, and it seems it’s back in fashion again with Facebook and LinkedIn pushing their new vertical video feeds.

Pivot to video: Meta unveils Facebook's new vertical video player

Meta

 

But before rushing in and ploughing time, effort and resources at more video, think about whether it’s the right and most effective format for what you want to say and what your audience wants to engage with.

Consumers prefer the news in written form over video

Video is very popular for entertainment purposes. But according to the respected Reuters Institute for Journalism’s digital news report, all audiences – including 18-24 year olds – prefer to read text-based versions of the news than listen or watch it.

Reuters Institute 2023 digital news report: people overwhelmingly prefer to read news than watch or listen to it

That’s not to say you shouldn’t invest in video or audio, but don’t rush to ditch the website! Use your own performance data and audience research to recognise what kind of content your target group has engaged with previously. If you do use social videos, use the post caption to add more detail, rather than ‘link in bio’ – it can help to provide greater understanding and context, and also be beneficially for SEO (search) purposes.

If you do pivot to video, make your content distinguishable

This latest surge to video is another attempt to imitate TikTok, but without their ingenious mysterious algorithm – no-one has come close to it. But with more content – especially video – than ever before, how are your posts going to stand out and be watched?

Last week, the Washington Post’s Taylor Lorenz has written about the “beastification of YouTube,” where every video looks the same as a MrBeast video, making it very hard to stand out.

You know the type: the hyper-energetic, quick cuts and fast-paced videos, with big graphics and OTT reactions. It’s even easier to achieve now thanks to cheap online editing software and TikTok’s own CapCut, with their built-in transitions and elements.

It can be a good idea to imitate popular production styles if you want your content (and messaging) to blend in natively on that platform, but how does a user distinguish between your work and others? And what would stop them flicking past if it has the same familiar start?

Even MrBeast himself, Jimmy Donaldson, has called an end to this type of video!

Pivot to video: MrBeast Jimmy Donaldson tweet on slower forms of social video, rather than high-intensity and fast edits.

How to make your video content stand out

So much video feels like ‘disposable content’ – you watch it, maybe even share it with a mate on WhatsApp, but you instantly forget about it.

Focusing on particular topics and interests (‘niches’ seems the wrong word for what can be incredibly popular subjects) can help you to build up a following (or return viewers) and also authority and credibility.

To be truly effective content, it needs to make the viewer feel like it’s new or provide practical information for them, be relevant to their interests and/or beliefs  – and ideally trigger an emotional response: happy, sad, angry or any other feeling.  It can really help to create an connection, provide a lasting memory of what they saw, land points, and encourage users to like, comment or share it.

You don’t have to be over-focussed on the first few seconds of a video; add on-screen text and subtitles to hook people in, and use the first line of the post caption to add more value. Telling a compelling, story, rather than jumping around, can keep viewers engaged and help them remember what they watched and heard. If it can be centered around someone’s personal story, even better. And try to make it distinctive from other videos on that platform – even if it is the backdrop to your selfie videos on LinkedIn.

I’ve been testing various forms of social video for years and learnt that it doesn’t need to be a MrBeast-type production, all shiny or slick, or in 9:16 portrait size; if it resonates with an audience, however grainy and amateurish, it can work. But equally the same impact can also be achieved through a meme or a still image – it doesn’t always have to be video.

If you need a hand with your content strategy, get in touch – or sign up to my emails for practical updates to help you cut through the sometimes complex, competitive and ever-changing media landscape.

 

 

TikTok ban ‘more about geopolitics than cyber security’ – ex-GCHQ cyber chief

There’s been lots said in the threat of a TikTok ban in by politicians in the US, but I found the expert thoughts of Ciaran Martin, the former GCHQ cyber chief and ex-head of the National Cyber Security Centre, fascinating and really insightful.

He told the BBC’s Media Show that:

“This is mostly an issue both about geopolitics, and influence and control over the Internet, than strictly speaking a cybersecurity issue”

Here’s part of Ciaran’s points he made to Katie Razzall – it’s worth checking out the full discussion on BBC Sounds

What are the cyber security concerns driving calls for a TikTok ban?

Ciaran Martin says there are two “classic cyber security issues” behind calls for a ban on TikTok: the compelled handing over of data under Chinese law and the download of potential Chinese state malware through apps.

But he points out that “the data economy is so out of control that the idea that you can ban your way to data security on a country of origin basis is essentially nonsense”, pointing out cyber issues with Russian criminals in the US healthcare system.

He adds that to stop the Chinese government getting your personal data requires more than just banning TikTok.
Ciaran does raise the points about China banning Facebook, and concerns over whether the algorithm could be manipulated to seed misinformation and disinformation about Western countries – but given how particular TikTok’s For You page is to each user, I’m not sure how possible this is in reality. I didn’t agree with Ciaran’s dismissal of the app as merely “a service to frivolous videos”, as it is having a far greater impact on culture, news and entertainment.

So these concerns, coupled with how Chinese tech companies have become closer to Beijing authorities, make sense why Western governments treat TikTok as a ‘risk’ to national security.

As for banning TikTok on government phones, I agree with Ciaran about not having any social media apps on them, given the amount of data they gather (more on that in a minute.)

Should I, my children, or my organisation be on TikTok?

The answers depend on who you are.

18 months ago, the director of GCHQ, Jeremy Fleming, said if personal data is used proportionally and “we’re happy with the way that data is safeguarded”, then it should present no problem for any user.

He said, “Make the most of it, make those videos, use TikTok, but just think before you do.” He reminded us that “there is no free good here” with any apps, especially social media, as they store personal data.

Asked if he would stop his child using TikTok, he said, “No I wouldn’t,” but he would “speak to my child about the way in which they think about their personal data on their device.”

Both the British and Irish regulators have fined Bytedance for how it didn’t stop under-13s being on the platform, didn’t set under-16s’ accounts to private when created and other data protection issues.

On their website, TikTok says Americans’ personal data is stored on US cloud servers run by software firm Oracle, while European data will soon be held in Dublin. It adds that user data “is protected by strong physical and logical security controls, including gated entry points, firewalls, and intrusion detection technologies.”

Ofcom: time spent per day on social media platforms, by age

For organisations, there are increasingly compelling reasons to be on there. If you’re targeting young adults, 18-24 year olds use it for an average of 55 minutes a day, according to Ofcom figures from last year, while the demographic of users is getting increasingly older. And another Ofcom study suggests as many as 1 in 10 of us use TikTok as a news source – more so than BBC Radio 1 and Channel 5.

And despite concerns about government departments having accounts, they have been happy to work with TikTok influencers to help reach target audiences in campaigns.

Will TikTok be banned?

We don’t know if a ban on TikTok will happen yet – there’s a long way to go. Even if the US President approves the decision, Bytedance has six months to sell its American arm. And the UK will likely follow what Washington does, rather than do their own thing.

Like using any social platform, you should be prepared that trends come and go, and any organisation’s social media or digital communications strategy shouldn’t be totally reliant on a social channel or service that you don’t own yourself.

The concerns over data gathered by Facebook and other Meta apps

Headline of Meta Facebook data story from the Times: Every scary thing Meta knows about me — and you Matilda Davies was given access to all of the data the social media behemoth has been collecting on her since she was 11. This is what she uncovered, and what we can all do to claw back some privacy

Ciaran seemed more concerned by the investigation by Times reporter Matilda Davies into the “horrifying level of detail” that Facebook have on her, including  20,000 interactions over two years with websites and apps that were not connected to her Meta-owned accounts:

In fact, between December 2021 and December 2023, Meta — the company that owns Facebook, Instagram and WhatsApp — tracked me an average of 33 times a day from websites and apps that aren’t connected to my social media accounts. Even when I wasn’t looking at them, they were looking at me.

Like TikTok, Meta says it processes the data safely, but Matilda says they are “very opaque” on how it uses it.

Ciaran said it was “a really concerning story” and how we “need a really, really serious conversation about the data economy more generally, and one that’s more better informed than just saying ‘it’s all based on the country of origin of a particular service provider’.”

 

I really recommend listening to the BBC Media Show discussion on TikTok, Meta and Twitter – and following Ciaran Martin on Twitter/X 

If you want a chat about how your company could use TikTok, or issues raised in this article, get in touch.

This Reuters digital news report can help to change your social media approach

Today’s Reuters Institute for the Study of Journalism digital news report provides some much needed-momentum to some media organisations, businesses and brands alike to rethink how they use digital and social media.

The report talks about how we face “a continual transformation of digital”. But far from being something that should terrify us, it’s a really exciting time to change things, become more insight-driven, experiment and innovate – and reap the benefits.

The old way of just posting the same series of article links on Twitter and Facebook, or the same video with the same post copy, isn’t as effective as it once was.

I’ve pulled out some of the most relevant findings and how they can be useful to your business.

Where do people get their news or information from?

Reuters Institute for the Study of Journalism digital news report 2023: where people get the news from on social media

The report notes that social is growing as the main way people get their news, and it claims there has been a steady decline in people accessing websites and apps directly.

Despite some of the headlines, Facebook is still the most important platform to share news – although this will likely decline as Meta shifts away from prioritising and investing in it. One of the country’s biggest digital publishers, LadBible, still enjoy huge success on there, using performance data to inform them what posts to put on there.

Twitter can still work for big events, newsworthy moments and particularly to appeal to those working or interested in the media, politics and finance. But I’m sure a lot of you have seen how news is not driving engagement as much, generally.

It’s interesting to see how ITV News has cut back on posting and being more focused on what they share, redirecting efforts to other platforms (more of which later.)

The report also shows increases in YouTube and WhatsApp, both of which generally have untapped potential for many organisations.

Getting your news into the WhatsApp ecosystem is key – that’s where people mostly talk, share their thoughts and forward on things to group chats of like-minded individuals, rather than be criticised or put down on public forums.

Think about how you use WhatsApp – personally, I use it the most of any channel to share and read stories that I exchange with family, mates and colleagues. I think there’s real opportunity there, especially with the community group function, for organisations.

YouTube is still generally underutilised, particularly by brands, who still see it as a dumping ground for TV ads and don’t maintain and grow it. Though it has proven fruitful, there is so much more opportunity than just putting clips of your output on there – smaller, digitally-savvy operations have been making some great and popular bespoke shows and content – some slick, others just two experts chatting about topics and answering viewers’ questions. The chance to monetise is probably the best of the platforms, too.

I’ve seen a lot of chatter today about the stats showing an increase in TikTok usage for news – but Instagram is still twice as big a source, including among 18-24 year olds. The visual element is crucial, but put effort into the post copy too – tell the story there. How many times have you really bothered to go to the link in the bio unless you’re really motivated?

Surprisingly, there was no mention of LinkedIn, which has increasingly become influential and a powerful tool to promote your work, engage and connect with people.

What I also felt was missing from the report was the importance of your own platforms (a view Thomas Baekdal is a big advocate of.) Social publishers can change your business model overnight and seriously affect your distribution. We’ve seen how BBC News under Naja Nielsen and ITV News under Stephen Hull and Matt Williams are investing in iPlayer and Sounds and ITVX, and it has paid off. And Global are providing news content from LBC in their app, which houses The News Agents. Live tweeting has been replaced by liveblogs on news sites – something ITV News was doing a decade ago, under Julian March and before that, Andrew Sparrow at the Guardian.

Reuters Institute for the Study of Journalism digital news report 2023: people prefer to read news than watch or listen

Also, and this seems to have been overlooked, all audiences – including 18-24 year olds – prefer to read text-based versions of news than listen or watch something. Future online news habits will evolve, with more audio and visual formats, but investing in your website is still a sensible move.

Who do people get their news and information from?

Animal from the Muppets hitting 'like'

Mainstream outlets and journalists still are ahead on Twitter and Facebook, but that’s not so clear cut on other platforms where smaller and more niche media, and especially more personalities and ordinary people, are influential.So, it’s not just thinking about what your reporter or chief executive posts, but how you encourage people with an engaged following on a niche subject you’re talking about to share/post about what you are doing.

Unless it’s genuinely useful and informative to that audience, will trigger an emotional reaction, or is visually attractive enough for them to stop scrolling, it’ll be hard to get your followers to read the post, tap on the link – and you’ll be lucky to get them to share or like it.

Rather than pump out posts, think about why someone would want to share it: as Jeff Jarvis acutely observed a decade ago, primarily we share things as it reflects how we want to be seen by others, or a reflection of our beliefs.

Think before you post: what do I want someone to feel about this post? How can I encourage them to read/watch or share/like it?

Think about the messenger too – it’s often better to show the beneficiary or human side to the story, than a dry corporate voice. ‘Ordinary people’ as the Reuters Institute call them, can deliver your messages with greater success.

For ITV News, taking a ‘people like me’ approach to The Rundown series on Instagram, Snapchat and TikTok has really paid off, with a regular set of younger multiskilled producer/presenters selecting, presenting and editing the stories.

I’ve been doing a lot of experimentation with communities on Twitter and Facebook, setting up accounts on niche interests and cultivating and engaging a following on subjects from ‘on this day’ memories of WWF wrestling to non-alcoholic beer. If you share something that appeals to that audience, and appear genuine and credible in that sphere, it can fly. Think about how you can do that, or how you can tap into that community as a welcome addition, not an awkward outsider just pushing your links.

It’s been pleasing to see the evolution of how these groups are treated. Once dismissed as “echo chambers”, now they’re talked about more as “communities”, with a range of views on like-minded subjects.

 

Who chooses what news and information you see?

Reuters Institute for the Study of Journalism digital news report 2023: how people get their news

I was a bit surprised in the presentation of the report’s findings that the authors jokingly said: “Don’t worry, we won’t talk about AI!” Thanks to Dataminr’s Kirsten Dewar for raising it in the Q&A. Yes, there’s been a lot of attention on it recently, not helped by some alarmist or misleading stories, but it has the potential to be a gamechanger in terms of production and promotion.

TikTok has enjoyed huge popularity with its AI-backed For You Page, but many don’t regard it as machine-based as it is so accurate so quickly with identifying your interests. It’s notable that of the options given to people in the survey, they preferred the idea of having stories automatically selected based on what they’ve previously consumed, rather than by an editor, as they have been for decades in broadcasting, print and on websites.

Experimenting with AI, with human oversight, is not a new phenomenon. I read many years ago how PA news agency were experimenting with machines writing fact-based articles, including election results. With limited resources, focusing on the content that really serves your audience with machine-based pieces for the more low-level news could be the way forward.

But please, always check it with a human editor…

 

In his excellent newsletter, James Ball talked about how at BuzzFeed he wrote four different headlines and after 15 minutes’ performance, the computer selected the one that was doing the best.

And LadBible revealed their ruthlessness when it comes to poor-performing content – if a post is not doing well within the first hour, it can be reworked – or removed completely.

I also wonder what the difference is between AI overseen by a person and data-based decision-making? I’ve had many experiences where senior figures want to go with their instinct of how to present or promote a story – but looking at what audiences actually have engaged with previously on the topic should play an equally strong role in informing what stories to cover.

The Telegraph, for example, has done a very good job in building their subscription business, serving stories that appeal to their audiences through their STARS audience metrics, which provide a far more sophisticated way of measuring success than the ‘most read’ stats. Dan Silver has talked about this in great depth.

Who recommends news to you goes back to my earlier point on influencers – not necessarily celebrities, but those with engaged audiences on specific topics. Those less trusting of the media are more likely to engage with stories shared by individuals they respect.

For example, at the Department for Education, we had great success with getting high-profile individuals to share our content, despite their regular criticism of the government, because it was designed to resonate with them on an issue they cared about.

Are you turning people off your stories?

Reuters Institute digital news report 2023 presentation by Nic Newman

Who hasn’t got a news alert that startles you – only to find out it’s of no interest to you at all?

A one-sized approach to the news and audiences is in the past – appoint reinforced by the report’s findings. At least the BBC, to their credit, are testing the ability to personalise text alerts.

This quote from the report’s lead author Nic Newman stood out to me:

“It is clear that many websites and apps are optimised for those that are super-engaged with every twist and turn of today’s news (and politics) agenda. But these approaches also seem to be turning large sections of the public away – with potential long-term implications for civic and democratic engagement.”

It’s no surprise that national politics is one of the biggest news turn-offs for the less news-obsessed. Focusing on the beneficiaries of government policies, or those disadvantaged by them – real people – has been a far more effective way to tell these stories where needed.

And it’s not surprising that interest in news has sharply declined in recent years – I sometimes feel bombarded by content, posts that are not relevant to me. This goes back to my earlier points on insight-based decisions on what to cover and what to post.

Thankfully we’ve seen a decline in clickbait and more sensationalised social posts, reinforced by changes to Google’s search rankings system, and there’s been a flourish of new “varied ways of connecting with audiences”, as Kamal Ahmed put it: personality-led posts and content, explainers, data journalism, fact-checking.

This is an approach that companies can utilise too. There’s no one magic solution – it’s having a range of storytelling techniques and using your previous experience of these formats to judge which is the best one to use in that instance.

Talking of which, I really enjoyed BBC News’ TikTok explainers of key political and economic topics, like this chat with Faisal Islam, made by Jan Bruck

@bbcnews

No gobbledygook allowed. #dragraceuk #bagachipz #rupaulsdragrace #inflation #bbcnews

♬ original sound – BBC News

A quick word on podcasts – a hugely popular format, but one that still has a long way to go in news, with only 8% listening monthly. Looking at the top 10 suggests more creative ways to talk about the news (and please, less of a focus on Westminster!) Certainly making video versions and promoting clips on social can help drive traffic.

That’s all well and good, but how do you make money?

This has been the big dilemma for news organisations. I’m still surprised to hear some news chiefs talk about social media being a source of income – I think gone are the days of large financial support from platforms to do news on there. And apart from YouTube, monetisation is poor.

Publishers talk about a mixture of income revenues – for example, LadBible and The News Movement are tempting brands and businesses with their knowledge of audience insight, data and social storytelling.

That best data comes from owning your own platforms. As Naja pointed out, data from social channels is “a marketing ploy” – it’s not the same as your own stats.

I was editor on The Sun’s website during a difficult time as we were working out how best to work with a paywall. I was an advocate then – even if I didn’t have all the answers – and seeing how other news providers have successfully done so, I still believe it’s the only way forward now.

It will be a difficult conversation for audiences – the UK was the lowest of 20 major countries for paying for news – but declining ad revenue isn’t going to save your business. Portraying these reader revenue models as having greater benefits beyond just news could be one solution. The Telegraph has established an award-winning games and puzzles section, for example, along with high quality, distinctive journalism.

More and more of us supporting individuals and smaller teams on Patreon because we enjoy their podcasts, and to a lesser extent Substacks. What can we learn from those successes for more established outlets?

If you want to hear the news slightly differently…

Hannah Vaughan Jones and I have been experimenting with putting some of these ideas into action with a show called Sorry You Went Viral: all about the stories that people are sharing and enjoying on social media – and the human side of what it’s like to go viral.

Check the show out on YouTube and podcasting platforms – or search for the show name on your social platforms.

I’d love to know with you about what you’re finding is working successfully for you or your organisation, or if you want to chat about how you can put some of these changes in place.