Tag Archive for: Instagram

Sharing is caring: Focusing on making sharable social content

Recent posts by Twitter/X owner Elon Musk and the head of Instagram Adam Mosseri have revealed a shift in what is important when we’re thinking about our next post: make your content sharable.

Instead of “posting and hoping”, or just “broadcasting” by telling users about an announcement or story, we need to place far greater emphasis on triggering an emotional reaction, or making it feel practical, new or relevant to that audience.

As you’ve probably seen, be it with ‘for you’ tabs on Twitter/X, pages on TikTok, or mixed up in your feed on Instagram and Facebook, all social platforms are moving towards more algorithmically-driven approaches as a way to try to increase the amount of time you spend and engage on that app.

That’s partly because we have generally stopped being so public in our reposts and commenting, preferring to share posts privately on direct messages or messing apps like WhatsApp.

Both Musk and Mosseri have publicly emphasised how important sending a post can be as a signal to the mysterious algorithm, to boost its visibility and increase its reach.

Twitter/X on what the algorithm sees when you share posts

Elon explained it in his trademark way – partly in response to the backlash over the type of content appearing in users’ for you tabs:

Elon Musk tweet on sharing/sending tweets: The X algorithm assumes that if you interact with content, you want to see more of that content. One of the strongest signals is if you forward X posts to friends, it assumes you like that content a lot, because it takes effort to forward. Unfortunately, if the actual reason you forwarded the content to friends was because you were outraged by it, we are currently not smart enough to realize that.

Read: Should my company stay on Twitter/X – or leave?

Instagram explains why you should focus on sendable and sharable content

And this is how Adam Mosseri explained the importance of “thinking about creating something that people would want to send to a friend”:

 

View this post on Instagram

 

A post shared by Adam Mosseri (@mosseri)

Read: What young people think of as ‘news’ on Instagram

How to make your social posts and content more sharable

So rather than focus on telling followers and viewers something, focus on making them feel something: for example, happy, sad/empathetic, angry (though I would be careful to not overuse this), entertained, informed or something that helps them in their lives.

You may see this as just an extension of the old adage of “don’t make boring content” – which is true! But on social, as in the rest of the media environment, where there is so much more content than ever before, and the competition for people’s attention is greater than ever, it’s important to really think carefully how it would appeal to your target audience – beyond those that already follow you.

 

 

Lessons from the Labour government on presenting new leaders on social

Making good first impressions with staff and target audiences, and landing key messages with them, are rightly important for new CEOs or senior leaders – and although these organisational changes are major events, they are often rare.

But for those working in government, changes in prime minister and secretaries of state are more frequent, and civil servants tend to have a lot more experience in showcasing their new bosses to those important target groups (especially in these past five or so years.)

So what can we learn from these first seven days of this new government in terms of how to present new executives on their social and digital platforms?

Audiences are more willing to engage with content from new leaders (at the start, at least)

Lessons from the Labour government on presenting new leaders on social: New PM Keir Starmer and wife Victoria in Downing Street

We all know how we are living and working in an era where we are overwhelmed with content on our phones, on the TV and in our inboxes.

But when there is a new major organisational appointment, stakeholder audiences are more keen than usual to see and hear from that person and company.

With Labour coming to power, this is the first change of political parties in No10 in the truly social media era, so it is slightly unique in that both key stakeholders and the public are more interested and receptive to what ministers have to say.

But despite this more positive and welcoming environment, the government has needed to work hard to capitalise upon this opportunity, with engaging, relatable and sharable content.

Have clear, simple messages to land on social

From Keir Starmer’s first address outside No10 to the stream of social posts from ministers, there has been a common set of messages repeatedly landed, as part of the new government’s comms strategy:

Change, fixing broken institutions, focusing on economic growth, resetting international relationships and a return politics to public service.

Take a look at this video from No10’s digital comms team announcing the Prime Minister and his new Cabinet, which has similar vibes and soundtrack to Rishi Sunak’s new PM video from a couple of years earlier:

 

In all his media communications so far – not just online – Health Secretary Wes Streeting has hammered home his claim that “the NHS in broken” and setting out what he will do to “fix the NHS”.

Lessons from the Labour government on presenting new leaders on social media: Health Secretary Wes Streeting tweet: To fix the NHS

Demonstrating that leaders have taken clear, immediate decisions that benefit the target audience on issues they care about can be impactful.

It’s not a surprise that this tweet announcing “tough action” on cleaning up rivers, lakes and seas after the Environment Secretary’s meeting with water bosses (while the regulator Ofwat announced that water bills were going to rise) was popular – 900,000 views, according to Twitter.

(Disclaimer: my partner is the head of digital comms there, but I think this is among the best performing posts on government social channels this week.)

Show personality and authenticity

Getting a leader’s personality over on social media and doing so authentically can be tricky at times, especially in the early days.

Although I’m not a huge fan of civil servants clapping in their new ministers, what I really like about this video from the Department for Housing, Communities and Local Government is that Angela Rayner feels genuine in her reactions as she enters her new department, seeing her photo already on the ministerial wall and thanking staff for their warm welcome.

 

This selfie by Business Secretary Jonathan Reynolds is more engaging to me than a formal ministerial pic in an office – and still lands a clear message in the post wording.

Business Secretary Jonathan Reynolds selfie with ministers and Department for Business and Trade staff

And sometimes the best moments that show your genuine personality are unplanned and unscripted!

And Hacker T Dog should be given his own Sunday morning politics show for this grilling of Culture Secretary Lisa Nandy! (My four year old’s takeaway from this was, “They’re closing down the BBC?” 😂)

Corporate social videos don’t need to be formal and filmed professionally

Keeping on the theme of authenticity, I liked this from Energy Secretary Ed Miliband, who has replicated this format a couple of times already on Twitter this week.

Yes, he’s at his desk, but the jacket is off, and he’s talking in a really easy to understand and engaging way (and without autocue) about the lifting of the offshore wind farm ban – and landing messages about the pace of change and helping to deliver on the election pledge of making Britain a clean energy superpower.

And it’s simple, short and snappy – and vertical too. You don’t have to use professional-level kit for corporate videos, especially for the off-the-cuff, ‘breaking news’ feel of this content. And it can be easily posted on other platforms too.

 

Use the voices of beneficiaries, customers and staff to land your messages

Although the new government is enjoying its honeymoon period, this will not last long – and after an election campaign where politicians have been all over our media, many voters are likely to be wanting a break from it all.

So instead of leaders or ministers just talking at the screen, look to see when you can use real, ordinary people – from beneficiaries of policies, projects and services, or even your staff.

This is a far more effective technique to engage the less-politically inclined members of the public, who are not using Twitter/X (and if they do are not following ministers) and do not want to see politicians in their feeds elsewhere.

We haven’t seen enough of the public featured in the Labour government’s social output so far, but that hopefully will change soon.

There was some nice interaction in the Department of Health and Social Care video, where Wes Streeting was in listening mode, hearing from patients and doctors, rather than another direct ‘piece to camera’ telling you what you should think is important to you.

 

Collab with content creators and influencers to land your messages

So far, we’ve seen quite standard social and digital media comms from the Starmer government – but the previous administration had begun to develop relationships with content creators and influencers to help to get their messages out to a non-politics obsessed general public.

This collaboration by the Treasury with Mr Money Jar allowed their news about inflation falling to be told in an engaging, native storytelling format, and wove in soundbites from an interview with the then-Chancellor, Jeremy Hunt.

This week, you may have read about the Biden administration’s work with content creators and influencers and even seen unlikely collabs at the Nato conference:

@mandaround Replying to @ur mom THE COOLEST thing l’ve done in my career to-date – IM AT THE WHITE HOUSE BAYYYBEEEE this NATO summit has taught me SO MUCH already and I’m dying to tell you guys everything that I’ve learned and seen 👀👀👀 The way I was in the same room as THIRTY TWO presidents and prime ministers??????? WHAT I’m doing my absolute best as a hashtag woman in STEM, and hashtag woman in a room full of men in general, to ask questions (to insanely high level officials 😮‍💨) and take up space, and LET ME TELL YOU it’s been a bit nerve-wracking You guys are about to get smmm content from here (and also some cool opportunities for all my scholars interested in geopolitics and other subjects in political science 👀) SO GET READYYY #university #student #canada #justintrudeau #NATOsummit #NATOCanada #ontariouniversities #canadianuniversities ♬ original sound – Amanda | Student life ♡

But giving access and also loosening editorial control can have unintended consequences – for example, Amanda Round’s most popular TikTok was pointing out that only 3 of 37 Nato leaders were women.

And TikTok content creator Olivia Juliana explained to Politico about the backlash facing her and her peers to posting Biden content on the app.

Email is effective

Like any comms plan, there should be a multiplatform approach to landing messages – and more ‘traditional’ approaches like TV, news websites and email are still important.

For example, the new Education Secretary wrote an open letter to the workforce “to make clear the valuable role they will play in the government’s agenda for change”, which was then posted on the Department for Education’s blog on GOV.UK and shared on their social media:

Letter to the education workforce from Education Secretary Bridget Phillipson

While Wes Streeting sat on the This Morning sofa to talk to their viewers about his plans for the NHS:

New Health Secretary Wes Streeting tweet: Our NHS is broken

Be creative, think ‘what would appeal to this audience?’ and go to where they are online

In the excitement to show action and engagement with key stakeholders, there has been a huge volume of content from government social channels. But, generally, less is more.

Where possible, be creative with formats, backdrops and presentation styles – a formal ‘piece to camera’ in an office should be reserved for serious moments!

And think if video really is the best way to get your points across (we still prefer to consume news in written form, according to a respected Reuters Institute report.)

Use insight to inform your strategy on the platforms where your audience are (I’m hopeful that the TikTok ban on No10 and departments will be lifted soon – the parties showed what is possible on there during the campaign and the Ofcom stats that show how many of us now get news from the app).

Also, look at your social analytics to analyse what type of content works best for that topic.

Put yourself in your audience’s shoes: if all your CEO’s content are videos of him or her talking at camera in their office, how is that going to stand out in people’s feeds?

And now social platforms are embracing algorithms over followers and engagement is key to boost visibility, think about how your leader’s content is sharable to reach a wider audience.

But direct comms is still best – have you considered a policy-themed or personality-led WhatsApp channel to share updates direct into your audience’s phones? Think specific and niche, not broad-based.

If you need some help with rethinking your approach on how to land your new CEO or boss on social, get in touch!

And sign-up below to get an occasional email with practical analysis and applicable actions to improve your multiplatform communications!

 

How to stop Facebook and Instagram using your posts for AI

Meta are allowing Facebook and Instagram users to opt out of their posts and content being used for generative AI training. For content creators it’s their own hard work, for individuals it may be their private photos, but you can see why you’d want to stop them being able to do so.

It’s not the easiest process it could be, but it is pretty straightforward for those based in the UK and EU – and you need to act before 26 June. I explain how below.

How to opt out of Facebook and Instagram using your posts for AI

You may have received an email like the one below, or a notification in your app, for your Facebook or Instagram accounts.

You can tap or click on ‘right to object’ to start the process to stop them using your content for AI training.

If you haven’t received this email and want to try to appeal against it, try this link.

I have found that for one account, I’ve not received any notification, by app or email, and when I tried going directly to the appeals page, I wasn’t allowed to access it.

How to stop Facebook and Instagram using your content for IA training: appeal page won't load

How to explain why you want to stop Meta using your posts Facebook for AI

You should see a page called ‘Object to your information being used for AI at Meta’.

How to opt out of Facebook and Instagram using your posts for AI training: Meta objection page

Select your country and enter the email associated with your account – you have to repeat this process for each individual account, unfortunately.
The section ‘please tell us how this processing impacts you’ may feel overwhelming, but I’ve tested different approaches with my personal and professional accounts.
I found that both these worked for me:

I am a content creator and put a great deal of original research and time and effort into my work and retain copyright for this. I object for it being used without payment.

These are my personal photos and information behind a private account that I do not want to be used publicly.

Although Meta warns, “We’ll review objection requests in accordance with relevant data protection laws. If your request is honored, it will be applied going forward”, I’ve not had a request turned down for the UK.

But that’s not it: Meta will send a code to your email associated with your account to complete the process – this comes through quickly, though.

 

 

How do I know if Meta won’t use my Facebook and Instagram photos and posts for its AI training?

The good news, you don’t have to wait for long. In all the times I used it, confirmation that my request had been approved came through within 20 minutes.

How to stop Facebook and Instagram using your posts for AI training: Meta email approving my request

How can I stop Meta using my data for AI training if I don’t live in the UK or EU?

PCWorld has reported on a potential solution: a Meta help center page where you can submit a request to access, delete, or file a complaint about personal information “from third parties being used to develop and improve AI at Meta”: https://www.facebook.com/help/contact/510058597920541

How to stop Facebook and Instagram from seeing data shared by sites about your online activity 

But you may want to go further while you’re at it, and stop specific sites from sharing data with Meta about your online activity.
Mashable highlighted this page called ‘Off Facebook activity’ , where you can choose to disconnect specific sites that share data with Meta, clear previous activity, and manage future data sharing.
Off Facebook activity page to stop sites sharing information about you with Meta
It’s not clear how much this would stop this data being used for AI training, but Meta does state that “information shared on Meta’s Products and services” could be used.

 

Users are getting more protective about how their data is used

With generative AI needing ever more content to feed its development, and a rise in more privacy-aware users, I think we will see an increase in people becoming more selective about how they share their personal data, and especially their content.
It is good that Meta is being clear about giving users an opt-out to have their posts not used for gen AI training, as many sites may have not made their users aware before. But I’m not sure what the opt outs are for business pages.

 

 

The key takeaways from the Charlesbye report into UK news habits

“Twice as many young people get their news from TikTok than the BBC”, shout the BBC’s rivals today – it’s the headline from a report by Charlesbye into the nation’s news habits.

In fact, it has similar findings to the Ofcom news consumption report from 2 years ago: more people, especially younger people, are getting their ‘news’ from social media than, say, sitting to watch the Six.

I say ‘news’, as what is new, informative and interesting can vary upon personal interest – and it isn’t restricted anymore to a selection of stories delivered in a newspaper, homepage or TV bulletin.

Instagram is more popular for news than TikTok, says Charlesbye report into news habits

The coverage of this report is slightly misleading too – Instagram is still the most popular platform for 18-24 year olds to get their ‘news’, despite Charlesbye branding one of their audience segments ‘Generation TikTok’. And Facebook is still king, overall.

Read more

Here’s what young people think of as ‘news’ on Instagram

“That’s not news” is still a familiar reply under social posts from news organisations.

But what is ‘news’ nowadays? We know what it used to be – a selected series of stories to be printed in a newspaper once a day, or a handful handpicked for a 30 minute TV bulletin.

But the internet, and especially social media, has transformed our definitions of news, based on algorithms, personal interests and generally a shift in power away from traditional news sources and journalists.

And I’ve always been curious, if slightly wary, when reading reports and surveys about where young people ‘get their news’ from, when the term has evolved so much over recent years.

So I was fascinated by this research by a couple of Dutch academics into what 16-25 year olds in the Netherlands saw as news on Instagram.

We’ve seen how Instagram is now the top social platform for this age group in the UK for news.

Being an academic paper it’s a bit heavy going, but you can read it here. I’ve tried to distil and report the key findings below.

 

News feeds have greater importance in their lives than traditional news – but they can feel ‘bombarded by content’

We’ve read a lot about how news feeds across all platforms have gone from friends, family and those you follow to a more algorithmic-based approach. In Instagram’s case, it’s still a bit haphazard with the seemingly random posts inserted into my feed as I scroll – even more so with the Explore feature.

We know how it’s not in chronological order, or order of importance like a newspaper, TV bulletin or website/live blog.

As the academics call it, we’re bombarded with a “cacophony of content”, so we scroll quickly, giving most posts a very cursory glance. And we check it frequently through the day.

What is ‘the news’ on Instagram to young people, anyway?

The researchers also coined another useful phrase: “media hybridity” – it’s increasingly hard to distinguish news and information from other types of content on social media.

We now consume the widest ever range of sources of information through our feeds – for example, journalists and news organisations, friends and family, sports clubs, influencers, celebrities – or just random accounts we never knew of before popping up.

And we can treat these news sources differently, such as if we feel strong emotional reactions to them, or the content themes resonate with us, or if the algorithm shows them more prominently.

This is even more true for younger people, who aren’t so wedded to the same traditional news values that older generations or journalists have grown up on.

In this study, they generally regarded ‘news’ as new, relevant and trustworthy. But some had very narrow conceptualisations – a TV news bulletin or newspaper, but nothing else.

Instagram also encourages, directly and indirectly, a different way of creating and consuming information online. It’s more visual, vertical and imposes a limited ability for captions and links.

I still see many publishers keep their posts short and with little context, expecting users to ‘tap the link in the bio to find out more’, which seems to be a big ask unless you really feel compelled.

The way the platform allows you to more subtly indicate that a post is sponsored means that the blurring between editorial and commercial, particularly with newer publishers, can be very hard to distinguish.

Content that feels like ‘news’ is treated as such – be it the user it comes from, the traditional format and/or look or if it, or the themes.

Other factors are if it feels like it’s appealing to a very broad audience, or perceived to be of high importance. But increasingly news organisations are adapting their approach and range of stories to feel more native to the platform.

Some may explicitly announce something as NEW or NEWS to make their posts look more appealing – while politicians and those at the centre of a public storm may try to take advantage of this confusing state of ‘news’ by dismissing reports as ‘fake’ or pronouncing them as ‘not news’.

The bombardment of different types of information on Instagram, the platform’s characteristics and what young people feel and react to means that they don’t necessarily equate it to what they’ve been taught to regard as news or journalism.

It’s not a surprise that there’s been confusion over whether Instagram is a ‘news’ platform.

So how can you make your news appealing to young people on Instagram?

In short, make your story selection more relevant and appealing to your target audience. If you’re targeting young people, use your insight to focus on their interests and passion points.

Emotion, or stimulating a reaction of some kind, as we’ve seen across social media, is key. This younger audience felt that news needed to “be close emotionally” to them. It’s why subjective posts, such as activism and passion-based interests appeal, as they resonate more with them.

Also, avoid seeing it as a dumping ground for lighter and ‘celebrity’ news – of course there’s interest in those topics, but they still have to got to be relevant and connect with that audience.

And it’s not just relevance – trust is vital too. If a user sees you as a news organisation, they expect to believe what they read, and for it to have some journalism and authority behind it, rather than just speculation. If they lose that feeling, that could be damaging across all of your platforms.

As this study by NP Digital showed, captions and covers are key to making it clear to this audience why they should stop scrolling (you can read more about their analysis here.)

Use the native formats – it shouldn’t necessarily ‘feel’ like the news as we have seen over the past decades.

Don’t try to get users to go to the ‘link in the bio’ – tell them what it is there.

But of course there’s also the challenge on how you monetise being on Instagram, though…